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Anne Sexton: A Biography, by Diane Middlebrook
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Anne Sexton began writing poetry at the age of twenty-nine to keep from killing herself. She held on to language for dear life and somehow -- in spite of alcoholism and the mental illness that ultimately led her to suicide -- managed to create a body of work that won a Pulitzer Prize and that still sings to thousands of readers. This exemplary biography, which was nominated for the National Book Award, provoked controversy for its revelations of infidelity and incest and its use of tapes from Sexton's psychiatric sessions. It reconciles the many Anne Sextons: the 1950s housewife; the abused child who became an abusive mother; the seductress; the suicide who carried "kill-me pills" in her handbag the way other women carry lipstick; and the poet who transmuted confession into lasting art.
- Sales Rank: #223208 in Books
- Published on: 1992-10-27
- Released on: 1992-10-27
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.12" w x 5.19" l, 1.08 pounds
- Binding: Paperback
- 528 pages
From Publishers Weekly
Middlebrook's balanced biography reconstructs the life of the late poet in extraordinary detail. Photos. New afterword. Author tour . ( Nov. )no mention of controversy over use of tapes, and ensuing bestsellerdom? surely this is what new afterword is about/we don't have information on this/also it never hit PW's bestseller list/pk
Copyright 1992 Reed Business Information, Inc.
From Library Journal
In this rich and enthralling biography of American confessional poet Sexton, Middlebrook (English, Stanford) approaches Sexton's life and work with a masterful balance of objectivity and empathy, weaving a compulsively readable tale of Sexton's transformation from housewife to award-winning poet while she battled severe mental illness. Middlebrook's analysis of the relationship of Sexton's illness to her art is rendered more immediate and more powerful by her skillful use of tapes of Sexton's psychotherapy sessions. Avoiding literary and psychoanalytical jargon, Middlebrook judiciously assesses Sexton's work and describes the familial, psychological, and sociological determinants of Sexton's illness, which finally drove her to suicide in 1974. Highly recommended for research collections in literature and women's studies, for collections in psychiatry, and for general readers, even if it were not the only biography of Sexton available. Previewed in Prepub Alert, LJ 4/1/91.
- Ellen Finnie Duranceau, MIT Lib., Cambridge
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
Frustrated as a housewife and mother in suburban Boston and plagued by mental problems including suicidal obsessions, Sexton, beautiful, intense, and gifted, began writing poetry at age 29 on the advice of her therapist. Within ten years she had won nearly every prize available to an American poet--and collected hundred of hours of tapes from her therapy sessions. Access to these tapes and the intimate revelations of Sexton's family have enabled Middlebrook (English/Stanford; Walt Whitman and Wallace Stevens, 1974) to explore here some of the dynamics of creativity, and the relationship between art and mental disorder. Artful, oblique, confessional, Sexton's verse, as Middlebrook shows, is representative of her generation of emotionally distraught poets, nearly all addicted to booze, pills, sex, and to themselves: Anguished, broken, many ended up suicides. Robert Lowell, Roethke, Schwartz, Bishop, Rahv, Berryman, Rich, Jarrell, James Wright, Anthony Hecht, George Starbuck--they were a community of pain, friends or lovers, meeting at workshops, readings, or retreats. Their poetry is private, academic, and written to one another: Sexton wrote some of the best. But however much recognition Sexton received as a poet, her personal life remained at the edge, as the title of her first collection implies: To Bedlam and Partway Back (1960). And everyone was forced to share that space with her: Her husband adored, mothered, and finally beat her; her daughters, emotionally abandoned, finally rejected her, one confessing that her mother tried to seduce her; and her lovers- -men, women, even her therapist--were unable to fulfill her demands. Before she finally succeeded in committing suicide, however, she claimed she had ``lived to the hilt.'' Middlebrook is better at explicating the poems than she is at explaining the life. That remains, in spite of the tapes, a mystery, one of universal interest relevant to the large issues of poetry, madness, and suicide, but only tangentially related to the feminist thesis that Middlebrook prefers to associate with Sexton: a typical victim, she says, of society's repression of women. (Twenty-four b&w photographs--not seen.) -- Copyright �1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Excellent
By Amazon Customer
Brilliant biography
6 of 6 people found the following review helpful.
Essential reading for biography and poetry fans alike
By A. Thayer
You don't have to be a poetry afficianado to find this uniquely well-researched biography fascinating. Middlebrook makes ample use of the beautiful-but-mad-housewife-turned-poet angle, but does the more challenging job of examining the contradictions between Sexton and her work. Controversial access to Sexton's therapy records aside, Middlebrook explores the humanity behind a disturbed (and disturbing) woman who used any means at her disposal--sex, therapy (at the same time, in some instances), alcohol, drugs, her children and her poetry--in an attempt to stay afloat.
7 of 8 people found the following review helpful.
a fascinating, brutally honest examination of a dead poet laid bare
By Renee
Biographies are a tricky business. To tell the truth about a person's life, to be fair and thorough without being unkind is a fine line to tread. Diane Middlebrook certainly didn't flinch at giving the reader the dirt on Anne Sexton. From her series of extra-marital affairs to her daughter's memories of Sexton's inappropriate, incestuous behavior--all of it was fair game in Middlebrook's book. She even quoted from audiotapes of Anne Sexton's therapy sessions. This is a biography of a woman brutally exposed, psychologically naked and under a spotlight; strangely, I think that Anne Sexton would be at peace with this enormous invasion of her privacy.
In addition to the lurid personal details and the deep analyses of Sexton's troubled psyche, Middlebrook shows the reader Sexton's intense determination and devotion to becoming a famous poet. Anne would sit at her typewriter for hours everyday, working on poems. She was also very aware of the benefits of creating a dramatic public persona.
Sexton would walk up on stage in a striking black cocktail dress with red lipstick and a seductive swagger. Her throaty voice would cast a spell over the audience as she read her poems. "I am a middle-aged witch. . ." she would begin, and the room would be spell-bound by both her glamour and her bold confessional poetry. But underneath it all, she was a nervous wreck, unable to give a reading without a quick shot of liquor to make her knees stop shaking!
Diane Middlebrook's biography was so piercing, so unforgiving, it was, at times, truly uncomfortable to read. I felt almost voyeuristic, pouring over these shocking private details of Anne Sexton's life. Yet, Middlebrook's book did give me an amazingly powerful feeling of intimacy with one of my favorite poets. She revealed the fragile, flawed Anne Sexton behind the public shell of dark glamour.
Any fans of Sexton's poetry that want to understand the woman behind the words should go ahead and get this book; just be forewarned that Middlebrook does not try to flatter Sexton, only to be truthful.
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